appetitefordecoration
appetitefordecoration
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yagazieemezi:

J.D. Okhai Ojeikere (1930-2014): In Memoriam
Press Release
With gratitude to God, we announce the passing away of our father, and an icon of photography, Pa J.D. ‘Okhai Ojeikere. He died in the afternoon of 2nd February after a brief illness. He was 83 years old. Burial announcements will be announced later. 
Ehiz’ Ojeikere, for the family. 
Known for his stunning documentation of hairstyles and sculptures, J.D. Okhai Ojeikere was a Nigerian photographer who began his career in 1954 as a darkroom assistant at the Ministry of Information, Ibadan. He was born in 1930 and bought his first camera in 1950, a Brownie D.
A year after Nigeria gained independence, he began working at Television House Ibadan as a studio photographer under Steve Rhodes. He joined the Nigerian Arts Council in 1967, and  1968 saw the start of his  documentation of Nigerian hairstyles, a project that would become his trademark. However, his first solo exhibition wasn’t till 1995, when his work showed in Nigeria and was also shown outside the country for the first time, as part of an exhibition in Switzerland.
“You know, nature gives every human being a role to play in life. It happened to be that by nature, I am created to be a photographer. And being a photographer does not mean that I have to cover all aspects of photography. I am not a war photographer, I am a civil photographer. And I have an urge to document culture, not wars and civil strife.” 
(READ MORE HERE)
Website / Facebook / Twitter 
Dedicated to the Cultural Preservation of the African Aesthetic
yagazieemezi:

J.D. Okhai Ojeikere (1930-2014): In Memoriam
Press Release
With gratitude to God, we announce the passing away of our father, and an icon of photography, Pa J.D. ‘Okhai Ojeikere. He died in the afternoon of 2nd February after a brief illness. He was 83 years old. Burial announcements will be announced later. 
Ehiz’ Ojeikere, for the family. 
Known for his stunning documentation of hairstyles and sculptures, J.D. Okhai Ojeikere was a Nigerian photographer who began his career in 1954 as a darkroom assistant at the Ministry of Information, Ibadan. He was born in 1930 and bought his first camera in 1950, a Brownie D.
A year after Nigeria gained independence, he began working at Television House Ibadan as a studio photographer under Steve Rhodes. He joined the Nigerian Arts Council in 1967, and  1968 saw the start of his  documentation of Nigerian hairstyles, a project that would become his trademark. However, his first solo exhibition wasn’t till 1995, when his work showed in Nigeria and was also shown outside the country for the first time, as part of an exhibition in Switzerland.
“You know, nature gives every human being a role to play in life. It happened to be that by nature, I am created to be a photographer. And being a photographer does not mean that I have to cover all aspects of photography. I am not a war photographer, I am a civil photographer. And I have an urge to document culture, not wars and civil strife.” 
(READ MORE HERE)
Website / Facebook / Twitter 
Dedicated to the Cultural Preservation of the African Aesthetic
yagazieemezi:

J.D. Okhai Ojeikere (1930-2014): In Memoriam
Press Release
With gratitude to God, we announce the passing away of our father, and an icon of photography, Pa J.D. ‘Okhai Ojeikere. He died in the afternoon of 2nd February after a brief illness. He was 83 years old. Burial announcements will be announced later. 
Ehiz’ Ojeikere, for the family. 
Known for his stunning documentation of hairstyles and sculptures, J.D. Okhai Ojeikere was a Nigerian photographer who began his career in 1954 as a darkroom assistant at the Ministry of Information, Ibadan. He was born in 1930 and bought his first camera in 1950, a Brownie D.
A year after Nigeria gained independence, he began working at Television House Ibadan as a studio photographer under Steve Rhodes. He joined the Nigerian Arts Council in 1967, and  1968 saw the start of his  documentation of Nigerian hairstyles, a project that would become his trademark. However, his first solo exhibition wasn’t till 1995, when his work showed in Nigeria and was also shown outside the country for the first time, as part of an exhibition in Switzerland.
“You know, nature gives every human being a role to play in life. It happened to be that by nature, I am created to be a photographer. And being a photographer does not mean that I have to cover all aspects of photography. I am not a war photographer, I am a civil photographer. And I have an urge to document culture, not wars and civil strife.” 
(READ MORE HERE)
Website / Facebook / Twitter 
Dedicated to the Cultural Preservation of the African Aesthetic
yagazieemezi:

J.D. Okhai Ojeikere (1930-2014): In Memoriam
Press Release
With gratitude to God, we announce the passing away of our father, and an icon of photography, Pa J.D. ‘Okhai Ojeikere. He died in the afternoon of 2nd February after a brief illness. He was 83 years old. Burial announcements will be announced later. 
Ehiz’ Ojeikere, for the family. 
Known for his stunning documentation of hairstyles and sculptures, J.D. Okhai Ojeikere was a Nigerian photographer who began his career in 1954 as a darkroom assistant at the Ministry of Information, Ibadan. He was born in 1930 and bought his first camera in 1950, a Brownie D.
A year after Nigeria gained independence, he began working at Television House Ibadan as a studio photographer under Steve Rhodes. He joined the Nigerian Arts Council in 1967, and  1968 saw the start of his  documentation of Nigerian hairstyles, a project that would become his trademark. However, his first solo exhibition wasn’t till 1995, when his work showed in Nigeria and was also shown outside the country for the first time, as part of an exhibition in Switzerland.
“You know, nature gives every human being a role to play in life. It happened to be that by nature, I am created to be a photographer. And being a photographer does not mean that I have to cover all aspects of photography. I am not a war photographer, I am a civil photographer. And I have an urge to document culture, not wars and civil strife.” 
(READ MORE HERE)
Website / Facebook / Twitter 
Dedicated to the Cultural Preservation of the African Aesthetic
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aqqindex:

Archizoom, Centre of Eclectic Conspiracy, 1968
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aqqindex:

English Wallpaper Design, Circa-1860
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confront:

Mireia Ruiz & Raul Ramos, Objetos Cocolia, 2013
via whats-up-tho
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tearkingdom:

dayak.
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design-is-fine:

Harry Gordon, Poster Dresses, 1968. London. 75% Rayon, 25% Nylon. Via V&A and MKG
design-is-fine:

Harry Gordon, Poster Dresses, 1968. London. 75% Rayon, 25% Nylon. Via V&A and MKG
design-is-fine:

Harry Gordon, Poster Dresses, 1968. London. 75% Rayon, 25% Nylon. Via V&A and MKG
design-is-fine:

Harry Gordon, Poster Dresses, 1968. London. 75% Rayon, 25% Nylon. Via V&A and MKG
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my-tumblrisbetterthanyours:

http://folchstudio.com/
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